Tag Archives: Kauffman Center for the Performing Arts

More The Mikado Media Coverage

The Mikado photo by Cory Weaver for Utah Festival Opera and Musical Theatre

The Mikado photo by Cory Weaver for Utah Festival Opera and Musical Theatre

The Lyric Opera production of The Mikado by Gilbert and Sullivan opens at the Kauffman Center on Saturday and this past Sunday The Kansas City Star featured a preview article about the new production.  If you missed the article, click the headline below to learn more about this hilarious operetta.

Patrick Neas for The Kansas City Star
Lyric Opera launches the wacky, absurd ‘Mikado’

For more information about the Lyric Opera production of The Mikado, click here.

The Mikado Scenery – Week 5

Week 5 - Painting Stage DeckWeek 5 - Peek at Finished Stage DeckWeek 5 - Peek at Some Finished ScreensWeek 5 - Screens DryingWeek 5 - Peek at Other Finished Screens
Week 5 - Act II IllustrationWeek 5 - GreeneryWeek 5 - Greenery In-ProcessWeek 5 - 3rd Scroll SetWeek 5 - Painting 3rd Scroll SetWeek 5 - Another Look at 3rd Scroll Set
Week 5 - More Screens In-ProgressWeek 5 - More Screens with Final Coat DryingWeek 5 - Painting Trellis'Week 5 - Another Week of a Full Paint RoomWeek 5 - Turntable Up-CloseWeek 5 - Turntable Sides
Week 5 - Turntable Base CoatWeek 5 - Turntalbe and Scrolls Ready for TheatreWeek 5 - Peek at Finished Turntable

The Mikado Scenery - Week 5 Construction and Painting, a set on Flickr.

Much of the work on the set for the new Lyric Opera production of The Mikado is finished at this point, but don’t think the painters or crew are done just yet. While the move to the Muriel Kauffman Theatre stage began earlier this week, work continued at a furious pace, especially in the paint room. The stage deck has been finished and moved, the final set of scrolls are being wrapped up, and the feature that many are sure to remember, the turntable, was completed and is now on stage. In addition paint is being added to some of the last screens and touch-up work will begin at the theater.  The Company owes a big thanks to all those who helped turn wood, metal and paint into what our patrons will see on stage during The Mikado next weekend. Great work everyone!

For more information about the upcoming Lyric Opera production of The Mikado, click here.

The Mikado Media Coverage

The Lyric Opera production of Gilbert and Sullivan’s The Mikado opens at the Kauffman Center in just 10 days and we have received some media coverage recently about this all new production.  Click on the headlines below to read the various articles or listen to interviews and don’t forget to check the Lyric Opera Blog for any other resources and reviews for The Mikado in the week ahead.

Lee Hartman at KCMETROPOLIS.org
INTERVIEW: Denyce Graves, mezzo-soprano

Official Press Release
Lyric Opera of Kansas City Presents The Mikado

For more information about the upcoming Lyric Opera production of The Mikado, click here.

The Mikado Scenery – Week 4

Week 4 - Screens and ScrollsWeek 4 - Full view of Sky ScrollsWeek 4 - Sky Scrolls with BorderWeek 4 - Close-up of Sky ScrollsWeek 4 - Stage Deck (right)
Week 4 - Stage Deck (left)Week 4 - Full Paint RoomWeek 4 - Outlining Deck for PaintingWeek 4 - Illustration of Deck PaintingWeek 4 - Even More Screens
Week 4 - More Screens with More PaintWeek 4 - Trellis work ContinuesWeek 4 - Trellis Close-upWeek 4 - Finished Trellis PiecesWeek 4 - Electrics SpecsWeek 4 - El;ectrics Prep
Week 4 - Roadbox for ElectricsWeek 4 - Wires, Wires, WiresWeek 4 - Taped Rehearsal FloorWeek 4 - More Reherasal FloorWeek 3 - Large Trellis Arch

The Mikado Scenery – Week 4 Construction and Painting, a set on Flickr.

With a little under a week to have the set for The Mikado ready to move to Muriel Kauffman Theatre at the Kauffman Center for the Performing Arts, work will be happening all weekend as the crew and painters work to complete the set. This week metal work for the trellis’ is mostly finished, with work concentrated on adding plywood. In addition painting has finished on the second set scrolls, the sky scrolls, and continued on a number of screen panels that will be seen on stage during The Mikado. Prep work on the shows electrics also began, and rehearsal with the full cast began last weekend. Just imagine how much will be done in the next week!

For more information about the upcoming Lyric Opera production of The Mikado, click here.

10 Questions with Yum-Yum

Sarah Jane McMahon

Sarah Jane McMahon

We recently spoke with Sarah Jane McMahon, Yum-Yum in the upcoming production of The Mikado, as part of our 10 Questions Series.  Mrs. McMahon is making her Lyric Opera debut and talked about her favorite operas.  Read below to learn more about this talented Soprano who we hope you can see on stage at the Kauffman Center for the Performing Arts in April.

1.  How did your initial interest in the art form of opera begin?
Mrs. McMahon: I was not interested in opera until college when I had formal voice training and my voice teacher suggested I audition for L’Elisir D’Amore. I was fortunate to be cast as Adina as a sophomore, and I’ve been hooked ever since!

2.  Where did you grow up?
Mrs. McMahon: New Orleans, Louisiana

3.  Do you have a significant other? Children? Pets?
Mrs. McMahon: Yes! I got married last year, and it’s the best thing that has ever happened to me!

4.  What is an average day like for you? Do you have a set routine?
Mrs. McMahon: Fortunately, I have been busy performing, so a rehearsal day is usually about 6 hours a day.  But right now, I’m working on recording my new album, Blessings and Silver Linings, so I’ve been in the recording studio, rehearsing with musicians, and working out all of the other many details that are involved in the recording process.

5.  What is your favorite opera to watch/experience?
Mrs. McMahon: To experience, my favorites are La Traviata and La bohème.  My favorite to watch is Roméo et Juliette.

6.  Have you performed your role in The Mikado before? If so, do you have any interesting anecdotes you can share about the experience?
Mrs. McMahon: I have performed it once before with the Colorado Symphony.

7.  What language(s) do you speak fluently?
Mrs. McMahon: English and almost French!

8.  What facts about you would our audiences be surprised to learn?
Mrs. McMahon: I can juggle and do the splits, cartwheels, and high kicks.  Also, my favorite place to sing is at church.

9.  The opera role you haven’t performed, but would like to perform the most in your career?
Mrs. McMahon: I would most like to perform Mimì in La bohème and Juliette in Roméo et Juliette.

10.  If you bumped into me at a coffee shop and learned that I had never been to an opera before, what would you say to entice me to give it a try?
Mrs. McMahon: You don’t know what you’re missing! Don’t be daunted by the foreign languages because there are titles to read. It will be some of the most beautiful music that you’ve ever heard!

For more information about the upcoming Lyric Opera production of The Mikado, click here.

Lyric Opera Apprentices Accepted into Nationally-Renowned Programs

Casey FinniganChris Carr2012-13 Lyric Opera of Kansas City/UMKC Apprentices Chris Carr and Casey Finnigan have been accepted into two separate nationally-renowned opera programs for next year.  Both apprentices are finishing their second and final year in the Lyric Opera Apprentice program and have been featured on the Muriel Kauffman Theatre stage this season.  Mr. Carr starred as Prince Yamadori in Madama Butterfly this past September and Mr. Finnigan will star as the Steersman in The Flying Dutchman, which opens at the Kauffman Center this Saturday. Mr. Carr will be joining the Arizona Opera Young Artists Program and Mr. Finnigan the Florida Grand Opera Young Artists Program.  In addition both singers will be participating in the Merola Opera Program this summer in San Francisco.  You can read more in the press release below:

Please join us in congratulating both of these talented young singers! 

Introducing The Flying Dutchman

The Company has distributed a press release announcing the upcoming production of The Flying Dutchman at the Kauffman Center for the Performing Arts, which includes all new scenery designed by R. Keith Brumley, original costumes, and the return of internationally renown baritone Richard Paul Fink as The Dutchman.  Also included is information about programs related to The Flying Dutchman.  Read or download the press release below:

To learn more about the upcoming Lyric Opera production of The Flying Dutchman, click here.

Presenting Il Trovatore

The Company has distributed a press release announcing all exciting elements of the upcoming production of Il Trovatore at the Kauffman Center for the Performing Arts, which includes the return of director Kathleen Smith Belcher and the Lyric Opera debut of guest Conductor John Keenan.  Also included is information about programs to learn more about Il Trovatore and what has been happening with the Company over the summer.  Read or download the press release below:

To learn more about the upcoming Lyric Opera production of Il Trovatore, click here.

10 Questions with Suzuki

Elizabeth Tredent

Mezzo-Soprano and Lyric Opera Apprentice Elizabeth Tredent

For the 2012-13 season members of the Lyric Opera Apprentice program, which is a partnership with the UMKC Conservatory of Music and Dance and the University of Kansas School of Music, have a featured role in each of our main stage productions at the Kauffman Center for the Performing Arts.

In the upcoming production of Madama Butterfly, Mezzo-Soprano Elizabeth Tredent, a second year UMKC Kaplan Apprentice, will portray the demanding role of Suzuki.  These days she is busy rehearsing, but not too long ago we had a chance to speak to her about all things opera.  Read what she has to say below.

1.  How did your initial interest in the art form of opera begin?
Elizabeth: I didn’t see my first opera until my junior year of high school.  It was not until college (freshman year) that I even realized I was capable of singing it!

2.  Where did you grow up?
Elizabeth: Ashtabula, OH – an hour east of Cleveland.

3.  Do you have any pets or significant others?
Elizabeth: My boyfriend, Clay, is not a singer or musician, but is tremendously supportive and proud of what I do!  No kids, no pets, but wish I had a dog!!

4.  What is an average day like for you? Do you have a set routine?
Elizabeth: I wish I had a routine, but with different class schedules, it is nearly impossible! I try to practice two hours a day as well as work out five days a week.

5.  What is your favorite opera to watch/experience?
Elizabeth: La bohème, Madama Butterfly, Turandot…Puccini!

6. What was the first opera you watched/experienced?
Elizabeth: Turandot with Lise Lindstrom in Cleveland.

7.  What story about your personal/professional life do you wish reporters would tell when promoting your work for a producing Company, but have not?
Elizabeth: I would not be here had I not been encouraged by my brother, sister-in-law, and local choir director to audition for vocal performance.  I thought I was a big fish in a small pond, and the thought of pursuing this path seemed insane!  I double majored in vocal performance and pre-medicine.  I was positive that singing was only temporary, and that I would become an OB/GYN!  Yet, after my first year of college, I realized there was no place that made me happier than the stage!

8.  What facts about you would our audiences be surprised to learn?
Elizabeth: My brother created an orchestra in my school district.  He is a band director, and works with his wife, who is a choir director.  Also, I LOVE to bake, and if opera doesn’t work out, I think I will open a bakery!

9.  What opera role would like to perform the most in your career that you haven’t yet performed?
Elizabeth: Carmen, and in my next lifetime, Mimì or Butterfly! 

10.  If you bumped into someone at a coffee shop and learned that they had never been to an opera before, what would you say to entice them to give it a try?
Elizabeth: Opera singers are no longer overweight and unattractive!  They are great on the stage, and every move he/she makes has a purpose!  There are no Viking horns, and many great operas have been modernized to appeal to our generation!  It is NOT an art just for the upper class, and you don’t have to wear a tuxedo or gown!  Come as you are, and give it a chance!

Bonus – What have you learned or experienced during your apprenticeship with the Lyric Opera that has been most helpful?  Alternatively, what do you hope to get out of your apprenticeship with the Company?
Elizabeth: I have developed great respect for each part of the staff.  I have learned to love your stage managers, or else…!  Most importantly I have seen how lovely it is to make music with such supportive staff and musicians standing by!! I  LOVE LOKC!!

Interested in learning more about the upcoming production of Madama Butterfly by Giacomo Puccini? Click here for more information.

Fall Arts Preview: New Season, New Director

Il Trovatore - photo by Michal Daniel for Minnesota Opera

Il Trovatore – photo by Michal Daniel for Minnesota Opera

Yesterday, The Kansas City Star ran its Fall Arts Preview in the A&E section.  If you didn’t get a chance to read about all of the exciting performances coming up in Kansas City, it is worth reading.

Included in the Fall Arts Preview were write-ups about the Company’s two fall productions, Madama Butterfly by Giacomo Puccini and Il Trovatore by Giuseppe Verdi.  Both productions continue the artistic growth that the Company realized last season, the first in the Kauffman Center for the Performing Arts.  Click to read The Star’s Fall Arts Preview.

Along with the upcoming fall productions being highlighted, the Company’s new General Director and CEO Deborah Sandler was profiled.  Ms. Sandler shared how she began her career in arts management and how she thinks Kansas City is a thriving arts community.  Click to read Robert Trussell’s interview with Ms. Sandler.

To learn more about Madama Butterfly, Il Trovatore, or the Company’s Spring productions, click here.